>>
SEARCH >>
EN
>>
<<

SEARCH AGAIN

CATEGORY
 
DATE
  FROM:
  TO:
  EX: 1/30/2012
KEYWORD
 
  >> Search
Interviews, 2019.03.23 Sat, by

Interview with Ink Now Founder

(中文) Ran Dian对“水墨现场”展博会创办人及主席许剑龙进行了专访 >> Read more
Interviews, 2017.09.06 Wed, by

UOB Art in Ink Award – Apply Now, Closing Soon

Committed to art education and the development of the local cultural landscape, UOB Art Academy is proud to launch the UOB Art in Ink Award. >> Read more
Interviews, 2020.09.30 Wed, by

CCA Singapore Online Benefit Auction – Live Now!

Online Benefit Art Auction for NTU Centre for Contemporary Art Singapore Bidding Period 1 – 18 October >> Read more
Interviews, 2019.05.20 Mon, by

Satoshi Kojima
Chaste as Ice, Pure as Snow
Michael Werner Gallery and TRAMPS, New York

TRAMPS and Michael Werner Gallery are pleased to present Chaste as Ice, Pure as Snow, an exhibition of new paintings by Satoshi Kojima. >> Read more
Interviews, 2019.03.14 Thu, by

Li Jin
Flesh and Bone
Ink studio

INK studio is proud to present Flesh and Bone, a comprehensive survey of internationally renowned artist Li Jin’s early works, >> Read more
Interviews, 2018.11.22 Thu, by

“As We May Think, Feedforward”, The 6th Guangzhou Triennial 2018, Guangdong Museum of Art

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more
Interviews, 2018.06.01 Fri, by

Marina Pinksy
‘Everything Was Forever, Until It Was No More’
RIBOCA1
Riga International Biennial of Contemporary Art.

The title, Everything Was Forever, Until it Was No More, is borrowed from Alexei Yurchak’s book of the same name. Yurchak discusses the collapse of the Soviet Union and one particular characteristic that defined it: the sense that although the Soviet system was felt to be permanent and immutable, its demise was at the same time perceived as completely natural. >> Read more
Interviews, 2018.05.08 Tue, by

A.R. PENCK
Paintings From The 1980s and Memorial To An Unknown East German Soldier
Michael Werner Gallery, New York

Michael Werner Gallery, New York is pleased to announce two exhibitions of works by A.R. Penck, one of the most important artists to emerge from Germany during the post-war period. Paintings from the 1980s and Memorial to an Unknown East German Soldierwill be presented concurrently from 9 May to 13 July. >> Read more
Interviews, 2018.05.03 Thu, by

Matthias Bitzer
Sequences from a Volatile Now
Almine Rech Gallery, London

Bitzer combines painting and drawing – often a mix of portraiture and architectural scenes – with a precisely customized scenography for the exhibition location. Individual works interact with one another and their setting, playing on how when we move through exhibitions, walls and corners obscure and occlude views of different works. >> Read more
Interviews, 2018.04.18 Wed, by

A.R. PENCK
Paintings from the 1980s and Memorial to an Unknown
East German Soldier
Michael Werner Gallery, New York

Michael Werner Gallery, New York is pleased to announce two exhibitions of works by A.R. Penck, >> Read more

Next Page »